Even discounting the emptiness of the streets despite the multitude of people who live in the city should be expected to go running by sometime. There are some glaring plot holes in the script. There is plenty of gore for the hard-core zombie enthusiast and obscure political commentary for less blood lusting fans. Another well-used trope is the tech available to the eyewear filming the movie is how conveniently it has the specialized data required to tell zombies from still living survivors. There are no product endorsements to the computerized eyewear of the primary character, But the wearable technology allows a surprisingly coherent storyline to be developed from the first-person perspective of this style of pseudo-documentary filming technique.Īnd as you must suspect from the strategically placed ‘Z’ in the title, it does indicate that zombies do indeed play a major part in the action and excitement of the chases across the ancient city’s unique sights and scenery. By attempting to boost the imaginations of the audience this way, the tactic failed to generate that effect and left viewers with blurry images and shaky, sometimes digitized views. The Paz brother’s greatest blunder was to artificially obscure the winged, flesh-eating creatures that emerge. The plot regrettably gets as shaky as some of the wobbly footage and headache inducing, seemingly endless screams throughout. Filmed on location the movie provides an up close tour through its ancient, enduring architecture and historical and religious sights. As the literal Gates of Hell spew forth their tormentors the action speeds around the beautiful, but so seldom filmed old city of Jerusalem.
The plot begins simply with Jewish-American friends Rachel (Yael Grobglas) and Sarah (Danielle Jadelyn) traveling abroad and attending a party when their evening is rudely interrupted by the onset of the biblical Apocalypse.
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